 |
 |
 |
 |
 |
| academic record | ||
| 2000 - 2002 | MA Painting. Royal College of Art, London | |
| 1994 - 1997 | BA Fine Art & History of Art. Goldsmiths College, London | |
| exhibitions record (selected) | ||
| 12.2017 | Listening to the Form (group), Panthera.today,
Brussels, Belgium Curated by Tamara Van San |
|
| 10/11.2017 | The Kiss or Poison Boyfriend or Jesus' Blood (group), Intercession Gallery, Northampton; Project 78 Gallery, St Leonards-on-Sea | |
| 09.2017 | Stiwdio/Lle (group), Bay Art, Cardiff Curated by Liam O'Connor & LLE |
|
| 11.2016 | The
Good, The Bad and The Ugly: 22 Painters (group),
Charlie Smith, London Curated by Alex Gene Morrison & Kiera Bennett |
|
| 11.2016 | Discerning Eye (group), Mall Galleries,
London By invitation of Dan Coombs |
|
| 11.2016 | Particular Conditions (PrintMare2): 100 badges
from international artists (group), millimetre02
at Kingsgate Project Space, London; SUBstore, Koenji, Tokyo; Tadahon-ya,
Kyoto, Japan Curated by Finlay Taylor |
|
| 07.2016 | Ingredients,
Method, Serving Suggestion (group), A.P.T. Gallery,
London Curated by Alaena Turner |
|
| 03.2016 | Uncommon Chemistry (group), Observer Bld, Hastings |
|
| 11.2015 | Coffee and Peaches
(solo), LIDO at ESPS, St Leonards-on-Sea Curated by Jacqui Hallum |
|
| 07.2014 / 09.2014 | Summer Saloon Show (group), Lion & Lamb, London & Aldeburgh Beach South LOOKOUT Project, Aldeburgh | |
| 04.2014 | against Nature (group), Camberwell Space | |
| 02.2013 | Pneu (group), Electro Studios Project Space, St. Leonards-on-Sea | |
| 04.2012 | Green Fuse (group), Hastings Art Forum
& Isobel Blackman Centre, Hastings Curated by Laetitia Yhap |
|
| 04.2010 | AA2A Artists-in-Residence (group), George Roger Gallery, UCA Maidstone | |
| 05.2007 / 06.2008 | Harry Smith Anthology Remixed (group),
alt.gallery, Newcastle & CCA, Glasgow Curated by Rebecca Shatwell |
|
| 04.2006 | New Trends in Painting Since 2000 (group), The City Gallery OFFSITE @ UCB Depot, Leicester | |
| 04.2006 | Everything Must Go (group), VTO, London | |
| 10.2005 | Rub Out the Word (group), D.U.M.B.O. Arts
Centre, Brooklyn, New York Curated by Michael Wilson |
|
| 02.2005 | Park Life (group), Clifford Chance, London | |
| 07.2004 | Plaza Suite (group), Union Gallery, London Curated by Free Association, with Uwe K. Guenther |
|
| 05.2004 | Floral Habitat (group), Bury St Edmunds Art Gallery, Bury St Edmunds | |
| 05.2004 | Sundays and Public Holidays (solo project), Sculpture Mound, Pump House Gallery, London | |
| 04.2004 | A Concert in the Egg (group) , The Ship,
London Curated by Jo Stella-Sawicka & Emma Robertson |
|
| 11.2003 | about you and your fears (group) , McManus Galleries, Dundee | |
| 08.2003 / 11.2003 | I Want! I Want! (group), Northern Gallery for Contemporary Art, Sunderland & Towner Art Gallery, Eastbourne | |
| 06.2003 | Cover Up Landscape and Natural History Series Part 5: Into the Grey (group), Cover Up, London | |
| 02.2003 | Cover Up Landscape and Natural History Series Part 1: Into the Red (group), Cover Up, London | |
| 07.2002 | diversion (group), Museum of Garden History,
London Curated by Danielle Arnaud |
|
| 06.2002 | Sound and Vision (group), Foyer, Royal
Festival Hall, London For David Bowie's Meltdown Festival |
|
| 05.2002 | The Ink Jetty (group), Neon Gallery, London | |
| 10.2001 | Entomology Vandal (group), Cover
Up, London Curated by Finlay Taylor |
|
| 07.2001 | Love Will Ruin Your Mind (solo), Hockney Gallery, RCA, London | |
| 06.2001 / 12.2001 | MODERN LOVE in düsseldorf and london (group), hobbypopMUSEUM, Düsseldorf & VTO, London | |
| 10.1999 | Trust (solo), Nylon Gallery, London | |
| 01.1999 | Cathedral (group), BoBo's, London. | |
| 07.1996 | Yerself is Steam (group), 85 Charlotte
Street, London Curated by Iain Forsyth & Jane Pollard |
|
| curated exhibitions | ||
| click here for full list | ||
| publications record | ||
| 2007 | Six Impossible Things to do Before Breakfast #6; I'll Come
up with Something. Centro Cultural Montehermoso, Spain Artist's bookwork project by Olga Adelantado, curated by Michael Wilson (download it here) |
|
| 07.2005 | IDEA / You are De-corator Curated by O. Alvarez, R. Camelo, D. Cudak, E. Ferrero, S. Golden, M. Stathi |
|
| 11.2002 | Slimvolume Poster Publication 2002 Curated by Andrew Hunt |
|
| 10.2002 | ( three stars ), Pupa Press Curated by Finlay Taylor |
|
| 10.2002 | Pupa, Pupa Press Curated by Finlay Taylor |
|
| 06.2002 | Year 2000 Curated by Martin Clark & Mark Dickinson, exhibited in Am Anfang der Bewegung stand ein Skandal, Lenbachhaus Museum, Munich, 2002 |
|
| 10.1999 | Entomology Vandal. Pupa Press Curated by Finlay Taylor |
|
| 11.1997 | Words and Pictures, boxed edition of artists'
multiples, issue 10 Curated by Iain Forsyth & Jane Pollard |
|
| 07.1997 | Words and Pictures, boxed edition of artists'
multiples, issue 9 Curated by Iain Forsyth & Jane Pollard |
|
| 11.1996 | Words and Pictures, boxed edition of artists'
multiples, issue 7 Curated by Iain Forsyth & Jane Pollard |
|
| published writing | ||
| 01.2018 | Vile Bodies in The Kiss or Poison Boyfriend
or Jesus' Blood: some notes on touch Kingsgate Project Space a version of this text was published as Oh, Let me in in MA Printmaking 2017 exhibition catalogue, Camberwell College of Arts |
|
| 04.2014 | Strange and Wonderful in I Cheer a Dead Man's Sweetheart: 21 Painters in Britain exhibition catalogue, De La Warr Pavilion | |
| 06.2013 | Jesters, Trojan horses, demigods and toxic rice in MA Printmaking 2013 exhibition catalogue, Camberwell College of Arts | |
| 06.2013 | Foreword and Interview: Edward Chell and Dan Howard-Birt in Edward Chell: Eclipse, Stour Valley Arts | |
| 04.2013 | Making Believing in Holly Story: Make Believe, Stour Valley Arts | |
| 06.2012 | Sailing close to the wind: a concise appreciation of Tamara Van San in Oroonoko!, Tamara Van San & Rein Dufait exhibition catalogue, Galerie Triangle Bleu, Stavelot, Belgium. Reproduced in Tamara Van San: Indian Shuffle, Tornado Editions, Brussels (2014) | |
| 2011 | The evolution of the commission process a three-way
conversation between Peter Bonnell (ArtSway), Dan Howard-Birt (SVA) and Mike Marshall in Every Curator's Handbook eds. Anne Klontz, Karen MacDonald and Yulia Usova in partnership Perfect Art Institution |
|
| 06.2011 | Introduction with Peter Bonell in Mike Marshall: Open Space, Stour Valley Arts & ArtSway | |
| 06.2010 | Lee Patterson in conversation with Sian McMillan and Dan Howard-Birt in Lee Patterson: Elemental Fields exhibition guide, Stour Valley Arts | |
| 02.2004 | Plunder: Culture as Material at Dundee Contemporary Arts exhibition review in a-n magazine | |
| 2002 | Love Letter Love Letter: The works of Iain Forsyth & Jane Pollard www.iainandjane.com | |
| other information | ||
| 2015 & ongoing | Director, Kingsgate Workshops, London | |
| 2010 - 2011, 2015 & ongoing | Co-Director, LIDO, St. Leonards-on-Sea | |
| 2014 & 2016 | Trustee, Art in Romney Marsh | |
| 2009 - 2010 | AA2A Print Residency, Maidstone College UCA | |
| 2008 | Print Commission, Camberwell School of Art | |
| 2007 - 2015 | Curator, Stour Valley Arts | |
| 2004 & 2005 | Dundee Visual Artist Award | |
| 2004 | Arts Council England, Grants for the Arts Award | |
| 2003 - 2004 | Committee member, GENERATORprojects, Dundee | |
|
|
||
| visiting lecturer in art school and university | ||
| 2010 & ongoing | Associate Lecturer, MA Printmaking at Camberwell College of Arts, UAL | |
| 2014 | BA Fine Art (3rd year Painting, including assessment) at University of Kent | |
| 2009 & ongoing | single days, short modules and symposium papers at Royal College of Art, University of Kent, UCA Canterbury, South Coast College, Hastings, University of Chichester | |